Archive for February, 2006

Bow Before Pujols

Tuesday, February 28th, 2006

While the Children Sleep

Are we ready to call the World Baseball Classic a complete disaster yet?

Okay, that’s totally unfair. We haven’t even played a game yet, so such a conclusion is tomfoolery. Still.

Dreamer: Inspired by a True Story hd The idea is kind of cute: a World Cup for baseball where the best stars from each country join their nation’s team and compete for the honor of their country. On paper, not bad.

Reality is different. First off, there’s no time for this: the winter is no time for baseball, pushing the games to March, where athletes are just starting to get back in shape (not to the extent that they did decades prior, thanks to off-season training, but it’s still not mid-season form.) It also interferes with spring training, meaning teams don’t get as long to adjust to new acquisitions.

That’s for the people who actually go. Manny Ramirez was going, then not, and the same was true for Barry (asshole) Bonds. Those who go will carry less passion with them than they exhibit in many regular season games; what’s really at stake here?

Not that they need much passion: pitchers will be on strict pitch limits, and games won’t last longer than fourteen innings in the first round, even if the games is ties.

What’s the point?

It’s a novel concept and, I guess, worth trying, but I don’t see it working. Or anyone really caring.

Meanwhile, MLB exhibition games return to XM Radio

Paranoid Park psp

tomorrow. I am so there.

The Jacket move

It Sure Ain't Howie Long

Monday, February 20th, 2006

Two quotes from a Forbes.com article about Radio Shack:

download Keep ‘Em Flying

The Fifth Commandment full

“When people want to shop at your store because of a unique battery, that’s a weak niche.”"I’ll go to RadioShack for a component or a connector, something small…but when I want a television or a computer, I go to Best Buy.”

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Oh, so true. Closing 700 stores isn’t enough. I just don’t know what the answer is.

It Came from the Sky

Friday, February 17th, 2006

Oh, the horror of it all. The WEATHER outside. Oh my.

68 yesterday, in the low 30s today. Global warming be damned, I wish it would just warm up already. It stayed warm well into the fall of 2005, and that meant Emily and I could spend our spare time galavanting around Southern Illinois, hitting up state parks like they were going out of style. Now, the cold has us indoors. Not as fun. Nope. Mother Nature needs to get with the program.

Kiss the Girls video

• So everyone’s barking about XM these days, with Sirius out-earning them in subscribers in the fourth quarter and the acquisition of Oprah, who’s “no Howard Stern.” Whatever. Both companies won’t see profit for some time, and just because one member of the board has no foresight and leaves screaming “the sky is falling” doesn’t mean there are problems ahead.

The whole XM vs Sirius thing is quite silly. There’s room for two in the land of satrad, just like the DBS world has DirecTV and Dish Network (two other satcasters that were in the red for some time but now are on the gravy train to cash town.) It’s all about personal preference: if you like Stern (my sympathies) or the NFL, then by all means get Sirius. If you’re like me and you must have your baseball (or Cinemagic or 60’s on Six,) then not having XM would be stupid. To say that one is better than the other is incorrect; XM’s technology is superior, but not by leaps and bounds. It matters what you want. I want my John Rooney The Tesseract video buy Scarface .

The Ring

Sunday, February 12th, 2006

Three peridots, fourteen diamonds
Girl wanted a peridot, her (our) birthstone rather than just another diamond. She got her birthstone plus fourteen diamonds.

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And a necklace
And a peridot necklace.

Early Fees

Friday, February 10th, 2006

Camp

Saints alive, Netflix has finally admitted that subscribers who rent a lot of DVDs are penalized with later shipments.

I could swear this was happening when I subscribed: what was originally a two-day turnaround to-and-from the St. Louis depot became three or four days in the middle of my heavy renting. If I laid off for awhile (usually not on purpose, but because I was busy,) the speed of delivery picked back up, but then fell off over time. It couldn’t be USPS when my queue would note an arrival midday Wednesday and the next disc wasn’t sent out until early Friday.

Late last year I cancelled, not out of disgust but because I never used the service enough anymore. With all its faults, the service was not horrid, and I want to resubscribe one of these days. This is a major customer service miss, though, and if a rival, like Blockbuster for example, wanted to steal market share, this is how you do it. Publicize the hell out of the fact that Netflix is admitting in their Terms of Service that they discriminate against their best customers. Steal their best customers. Like me?

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Maybe. We’ll see. The biggest issue here is that Netflix had the audacity to deny the complaints at first. At least have the balls to admit it.

You Deserve a Wait Today

Friday, February 10th, 2006

McDonaldsLocation: McDonalds, Carbondale West.

Time: Approx. 11:30 CST, Friday, 10 Feb 06.

This Is Spinal Tap release

Reason: lunch. Large #2, Coke.

Drive-thru window: seventeen cars. SEVENTEEN. (17)

Peter went in to get his lunch to-go instead of waiting in the Parade of Suckers. Time: just under three minutes.

The line outside, seventeen cars long, barely moved.

Suckers.

We Supply, You Decide

Thursday, February 9th, 2006

The FCC now thinks that a la carte cable, where you can choose only the channels you want, will save consumers money.

They’re wrong.

download Fei ying Cable channels do not just generate revenue from commercials. Each channel charges cable providers a fee-per-provider, ranging anywhere from below 20 or 30 cents a month (most stations) to around $2.35/month (ESPN early 2005 estimate.) While large cable providers (your Time Warners, Charters, Comcasts, etc.) can negotiate fees, particularly if a media company wants a smaller (or newer) channel carried (especially on valuable analog space,) there’s still a large expense every month just for programming acquistion – a cost that is passed on to the consumer with a la carte.

Not a big deal, you say? Willing to pay $2.35 a month for ESPN, about, let’s say, 35 cents a month for Comedy Central, plus similar “small” fees for a couple other channels? Doesn’t really sound bad.

Except that fees would double.

Disney estimates that ESPN reaches 80 million homes, for a per-month revenue of 188 million dollars. 2.256 billion dollars per year. Imagine that under a la carte ESPN, probably the most wanted network in the cable universe (thus the higher per-month fee,) only loses five million homes. That’s a monthly loss of almost 12 million dollars.

You think ESPN won’t raise fees to about three bucks a month?

The scary thing is what happens to networks that won’t see such a high rate of subscriber retention. How many homes really watch Oxygen? What about the Travel Channel? While the fees for these channels would be miniscule – most likely pennies – a reduction from 40 to 50 million homes down to 5 to 10 million equals a revenue loss of 80 TO 90 PERCENT. They would have to jack fees up to a dollar or two a month, which doesn’t sound like much until you start adding up the ten or twelve channels you want.

But what if you only want one channel, like ESPN? Three dollars per month plus a provider maintenance fee of five to ten dollars each month means you’re paying eight to thirteen bucks just to watch the Worldwide Leader. Not that bad. Unless another channel, like Comedy Central, suddenly has something you want, and then, OOPS, you don’t get it.

That’s the other pressing issue – forget the money; what about the sampling? How does a network make itself valuable – warrant that two or three bucks per month – when no one can decide their programming is worth the expense? Is word of mouth enough? Admittedly, there are new content arenas opening up, like the Internet and iTunes, and a cabler could decide to stream an episode or two online, or even offer a free preview weekend like HBO and Showtime historically have. Still, this involves effort for someone to discover a show or network they don’t traditionally watch, rather than the ability to just flip by a new program and gain interest the old fashioned way.

(Though with this thought, one can wish that a la carte had been the practice in the late nineties. Fox News had to pay cable channels to add the network in its early days, one of the reasons it got a head start over MSNBC. Now, of course, the money flows the opposite direction.)

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A la carte is an interesting idea, but besides the low odds of it being successful, with the increasing fusion of television and the Internet it’s really pointless to discuss. There’ll be a way when you’ll watch ESPN through ESPN.com, not Adelphia cable, so why are we even that worried about this?

Chicago to Czechoslovakia AND BACK

Tuesday, February 7th, 2006

I NEED A COPY OF THE THEME FROM “WHERE IN THE WORLD IS CARMEN SANDIEGO.”

The game show. From PBS.

I was eleven.

OMG.

download Infestation Rockapella put their AWESOME AWESOME theme song on a CD once upon a time, but Amazon wants $40 for it. For just one song. (There are, like, four others on the disc, but they don’t count.) Nothing on iTunes save two concert versions.

I NEED THIS NOW – CRAAAAAVE.

I found a cheap version on a flash page, but it’s not the best quality, and it skips at the beginning. The only thing I could really do with it is…is…

Abbott and Costello in the Foreign Legion movie

is…

Psycho movies

OMG BEST RINGTONE EVAR!!!!!1

Peter's Big Old Oscar Theory: Year Nine

Saturday, February 4th, 2006
2006
Munich

Peter’s Big Old (Basically Useless) Oscar Theory divides the five
Oscar nominees into five classes, of which only one should produce a winner.
That would be the “Frontrunner” class which holds the top two pictures. Under
that is the one film with an “Outside Chance,” followed by the two with “No
Chance.” Of the top two films, one is a clear favorite and rarely ever loses.
Usually the Favorite Wins, though ocassionally (like in 1999 and 2003) the underdog
wins. There, Saving Private Ryan and Gangs of New York had
so MUCH advance buzz that Shakespeare in Love and Chicago
respectively steamrolled out of the Golden Globes and stole all the momentum.
One could argue that in 1999 leading up to the awards Life Is Beautiful
had been bumped up to Frontrunner (Underdog) status while Ryan
was out of the picture, but that is the whole point of the theory: it was next-to-impossible
for LIB to win because at nomination time it was in a class that is
impossible to take home Best Picture from. You have to have the momentum by
the nominations, or else you’re out of luck. Being in the No Chance category
is like having a #11 seed in the NCAA Men’s Basketball Tourney: is it technically
possible to win? Yes. Will you win? Oh, hell no.

Gangs of New York move

Oh my, I have been more out of it than usual this year. The Oscar nominations
unfairly snuck up on me, making my prediction much later than usual (read: not
the very same day the nominations are released. Bad, Peter! Bad.)

But we can keep this short and sweet.

I’ve never picked Best Picture wrong, and I’m not about to start. All the buzz
you’ve heard over the last week is correct: Crash will become my third
“Underdog” to upset the “Favorite” and win Best Pic.

This is nothing against Brokeback Mountain, which I’ve yet to see (as
of this writing, I’ve only screened Crash and Good Night, and Good
Luck
.) Paul Haggis’s film just has all the momentum, despite the Globes win
for the cowboys. Recall that Haggis scripted last year’s winner, Million Dollar
Baby
, and with this stellar cast led by the under-honored Don Cheadle, all
the press belongs to the earlier release. The wind is dying from beneath Brokeback’s
sails.

Psycho release Don’t think this is helped by conservative backlash, though. Nor will the film
be aided by it. The Academy voters care little for what Bill O’Reilly or Pat Robertson
think. Brokeback will garner plenty of votes, but Crash, “old”
as it is, is grabbing new eyes and is really the fresher, more interesting film.
The fact that it addresses an issue does not hurt.

As for the others: Good Night has a outside chance as an issue film (and
because of George Clooney, who got a well deserved Best Director nod for the flick)
while Spielberg’s Munich is forgotten. Capote will get the Best
Actor Working Today, Philip Seymour Hoffman, his first (and not last, hopefully)
Best Actor award, and will be ignored in the main category (though I would relish
a win for Catherine Keener taking home Best Supporting Actress for the film as
Butterfly Effect: Revelation movie download
well; she’s such a delight, as she showed last year in The 40-Year Old Virgin.)

So bank on Crash. Am I nervous about my streak being snapped? Perhaps
a bit. Just a bit. But I’d still put money on Haggis.

Previous years | Best Picture winner (and Peter’s pick for Best Picture)
in bold text.

1998 1999 2000
The
Full Monty
The
Thin Red Line
The
Green Mile
2001 2002 2003
Chocolat Fellowship
of the Ring
The
Pianist
2004 2005
Seabiscuit Ray

Ow

Saturday, February 4th, 2006

A minor cold developed within my body the past several nights (noticeable primarily thanks to a sore throat, albeit a barely irritating one) and was believed by yours truly to be nothing more than a small nuisance. Hogwash. Today I awoke with the headache that devoured Akron, a mammoth pain that said, “Yeah, Peter, your really head hurts. Really.” Disaster! Certainly enough to derail work today.

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By now the hurt has subsided, but minor effects of the cold remain, enough to keep me sidelined. This has led me to a new standard of boredom:

“I was so bored, I watched First Daughter!”

The Incredible Journey trailer

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