Archive for August, 2005

And Don't It Feel Good

Tuesday, August 30th, 2005

The light drizzle and cool air, remnants from some storm down south, made it feel like fall tonight. Thanks to the cold that inhabited my body last week, I hadn’t gone jogging in ten days, and Netflix’s delayed delivery of Six Feet Under Season One, Disc Two this afternoon dissuaded me from hitting the sidewalk under the sunlight. After dinner, though, I ventured out and found myself amidst the best feeling air to make its presence known in four or five months. I love the spring, and I love the fall even more. It needs to get here, like, now.

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• So gas is going up even more. I’m one of those people you hate – the ones that remind you how little we’ve been paying for gas versus inflation for the past few years, so we should just admit we’ve been spoiled and adjust our budgets accordingly. That doesn’t mean I adore paying so much for petrol, but having a car that gets thirty miles per gallon abates my worries, even if my commute – for now – is not Fun. I’ve got a raise coming, so $2 or $3 more per refuel is not the end of the world. Then I can get a manager’s job, move close to the store, trade my used car for a hybrid, and laugh at the Hummer drivers and their tiny penises.

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This Blows

Monday, August 29th, 2005

Just a few weeks ago, I was looking at several This Day in History websites and marveling about how nothing very historic has happened on my birthday.

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Well, thanks, Katrina.

Closed Captions are Not a Solution

Monday, August 22nd, 2005

My remote is broken.

I have to use two remotes to watch television: either my digital cable remote or the clicker for the DVD player, depending on what the source of the program is, and my surround sound remote. I used to run everything through the television and then into the surround sound receiver so that the digital cable remote could control the volume as well, but the output connections on the back of my telly are so loose that one of the channels doesn’t work. So no more of that.

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About a week ago my surround sound remote started cutting out. New batteries did little. It’ll work sparingly, mostly if I hit it really hard about ten times, but then I only get about five seconds out of it.

But Peter, you say, why don’t you just use a universal remote?

Nice idea, reader, but I my surround sound is a maudlin 1997 Zenith Dolby ProLogic 2 affair, and remotes don’t seem to have frequency codes for this getup, meaning I have no way to get a new remote.

The truth is, for such a cheap and old system, the sound isn’t bad; I had no plans to replace it anytime soon. Now I’m looking at dropping a few hundred on a new system, all because my remote refuses to work. I damn sure ain’t walking over to the receiver everytime I have to change the channel. That’s getting old fast.

Film Review: The 40-Year-Old Virgin

Saturday, August 20th, 2005

Note: this one’s going to show up on My 50 Favorite Films list when I revise it later this year.

There’s such joy in this film, and it’s palpable. I get this buzz sometimes from films – a high that permeates through me as I walk out of the theatre, forcing my lips into an ear-to-ear grin. I’m reminded how much I love film, and why. This film gave me that buzz like none other I’ve seen so far this year.

The 40-Year-Old Virgin is ribald and raw and wants to ride that line between acceptability and outright crassness at times, but unlike most of its contemporaries there’s no animosity here. Everyone’s having fun at the expense of no one – this is a remarkable feat when one considers the movie’s title.

Steve Carell plays the title character, Andy Stitzer, a warehouse associate at a Circuit City-clone that spends his downtime obsessing over the myriad collectables lining his apartment walls and, of course, never having sex. This is discovered by three co-workers (Paul Rudd, Seth Rogen and Romany Malco) during a late night poker game, and his new buddies promise to get Andy laid. This involves dragging Andy to clubs and date-a-minute sessions, tutoring him on the art of the seduction of the drunk, and pushing him to talk to anything remotely attractive that enters the shopping mall. This includes a young blonde who works at the bookstore next door (Elizabeth Banks, the Parker Posey clone from Spider-Man 2) who Andy is prompted by one buddy to “ask only questions” to. Never actually respond. This works.

Enter Trish (Catherine Keener.) She runs a “Sell your stuff on eBay” store across the street from where Andy works, and her neurotic confidence is the perfect compliment to his reserved inexperience. Embarrassed that she hid her three kids (and one grandchild) from Andy, Trish has a plan: get to know each other. No sex for twenty dates. Andy, struggling to reveal his deep, dark secret to this dream girl, jumps at the chance.

The 40-Year-Old Virgin succeeds by making this all as laid-back and friendly as one could imagine. The three buddies are excellently cast, played well by unknowns (save Paul Rudd, who we rarely see.) Rudd is surprisingly sweet and understandable as he aches for the girlfriend he dumped two years prior, while Malco channels Dave Chappelle well as the player who never saw a ho whose ass he couldn’t tap. Rogen is the wild card, saving his ribald side for what Andy casts aside. None of these characters are empty shells, merely walking avatars for dialogue that help to further the plot, as they would be in a lesser film. This is real support, and you’ll be seeing more of these guys in the future.

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Carell and Keener carry the film, and their parts could not be recast better if you tried for twelve million years. The Daily Show vet is at his best yet here, balancing his oft-seen comedy chops with some true acting talent that bodes well for his future. As mentioned, he’s not here to make fun of this Andy he plays, but to inhabit him, show him off for us so we can understand – and enjoy his company, as his co-workers grow to do as well once they get to know him. Keener, meanwhile, is still the most underrated actress in Hollywood, an incredible statement to make six years after her breakout role in Being John Malkovich. A decade ago she was starring in indy films like Living in Oblivion and Walking and Talking and proving herself better than any material any writer could provide for her. She’s still on that level, creating a sexy and sympathetic companion for Andy that allows us to understand why he gravitates towards her rather than the buxom blonde his friends would rather him hook up with. What an incredible actress.

I spoil little by revealing that The 40-Year-Old Virgin

doesn’t carry his flower to year forty-one, and it’s Trish that plucks it. The film works logically towards this with only a few speed bumps: a few scenes, namely the chest-waxing escapade, run a tad long, and you could probably cut a few minutes overall off of the running time. It’s not perfect, but it’s damned near it, and Judd Apatow, best known for creating the TV series “Freaks and Geeks” and “Undeclared” should be congratulated on directing and co-writing (with Carell) an incredibly enjoyable film. Earlier this year, Wedding Crashers took better pedigree (Vince Vaughn, Owen Wilson and The Christopher Walken) and an equally high concept idea and attempted to balance crudeness and sweetness. It failed miserably. Thank you, Judd Apatow, for showing us how it’s done. Thank you for this wonderful movie that just wants to have fun.

Wedding Crashers also co-starred Will Ferrell. So did Apatow’s last credit; he was a producer for last year’s horrid Anchorman. This film I just reviewed features three of the main stars from that latter picture: Carell, Rudd and David Koechner in a small role. No Ferrell in this film, though, and it’s the only good film in the bunch. No coincidence there.

***½

All Work and No Box Make Peter Something Something

Wednesday, August 17th, 2005

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Since, reader, you are a person who does not suck, you’ve purchased the Season Six Simpsons DVD boxset that dropped on Tuesday. Of course you noticed that unlike the stately design of the previous five seasons, the season six box is shaped like Homer’s head and does NOT look good on the bookshelf next to the previous five campaigns.

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One of these things is not like the others

Fox, geniuses that they are (save all the stupid things they do, like, for example, most things,) have a fix for this. Anyone who wants a box that falls within the set pattern can send a check for 2.95 USD to Fox and they will, well, send you one. Just go to SimpsonsBox.com – and I encourage you to do so and follow the prompts as if you were requesting a package, because the questions are hilarious.

In other words, I just sent Fox a check for 2.95 USD. For a cardboard box.

Give 'Em OS 8.6 and Really Piss 'Em Off

Tuesday, August 16th, 2005

So a school decides to unload one-thousand four-year-old iBooks at just $50 a pop. They think a riot won’t ensue?

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One did, albeit not on the level of a drunken rock concert (can I sound anymore like a sixty-year-old out of touch codger?) Seventeen people were injured, and the photos describe clearly the disarray.

There’s a simple solution to this: they shouldn’t have given out the notebooks. If people want to act like four year olds, then treat them like four year olds. Have the police tell them, “If you can’t behave, then no reward,” and send everyone home. Try again a week later, and tell the people it’s first come, first serve, one per customer. If you arrive late, then tough. No cutting in line.

NASCAR Fan?

Saturday, August 13th, 2005

Waiting to pick up two mediums at Pizza Hut, the power went out for about two minutes. This would usually be the most noteworthy item of any trip to a fast food joint, except that today, not a minute after Ameren IP did their thing, one of the delivery drivers returned. He wore a name tag that gave him the title “Driver Expert.” Not “Expert Driver,” which would be a tad believable. No, “Driver Expert.”

Well then.

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Sock Puppets!

Thursday, August 11th, 2005

Long debated for the rest of eternity will be the exact moment when The Simpsons jumped the shark. Not even the show’s most devoted fan would dare suggest that the show hasn’t declined sharply in quality, even if most of the recent episodes have still been decent. It’s just a tale of two shows – one which was revolutionary, entertaining and hilarious, and one that is merely entertaining.

The biggest issue with recent (read: the last few seasons) episodes has been how quick the show is to derail. Our Favorite Family is often derided as of late for their outlandish plots and unbelievable schemes, forgetting that Homer’s Job of the Week Parade started back in the show’s prime – they just kept the anarchy grounded in the classic years. I don’t think the problem today is necessarily how ridiculous the plots are as much as how everything plays out so haphazard and silly, as if Al Jean’s writing staff is trying outweird Seth MacFarlane and Williams Street at the expense of what little logic The Simpsons contained in its glory days.

Rest assured he was on the Interweb within minutes registering his disgustWatch the first few minutes of any recent Simpsons episode and you won’t notice any problems. The show still starts smart, sliding the Simpsons into the plot in a bass-ackwards fashion through an unrelated opening scene (or scenes.) From there, though, the writers seem to take reasonable plots – like the annual trip overseas (England! Brazil! Planet Xena!) and go in stupid directions, making the episode sillier and sillier until the mantra “Worst. Episode. Ever.” has been replaced with “Well, I guess that one won’t be considered canon.”

One episode that seems to pop up incessantly in syndication that shows this problem off quite clearly is 2004’s “Bart-Mangled Banner,” where OFF gets in trouble when Bart accidentally moons the flag and Marge tells off the United States on television. For the first act, this is classic Simpsons: the setup for the flag goof is sharp and original, beginning with the classic alternative setup as we start in Dr. Hibbert’s office as Bart and Lisa have vaccinations forced upon them. From there, random events escalate to give us our True Plot, which is taken to extreme and way-too-silly lengths by the writing staff. The Simpsons are locked in liberal prison on an island with Elmo and Bill Clinton, and escape in the middle of the penitentiary’s variety show. Escaping to France, they eventually return to America on a circa 1910 European immigration ship through Ellis Island, but only because they miss all their stuff.

What?

This isn’t to say that classic Simpsons is anything mainstream, but there was a limit to the show’s madness, a boundary that is trampled over twenty-two times a year this century. Compare two episodes, one from the previous sixteenth season, “Future-Drama,” and one from 1995’s Season Six, “Lisa’s Wedding.” Both featured OFF traveling through time, though the older episode set this up much more smoothly, with Lisa visiting a fortune teller at at Ren Faire opposed to Bart and his elder sister crashing through the window of Professor Frink’s basement and using his computer to forecast the future.

Comparing what works in each episode provides startling differences. In “Wedding,” we see the story of, duh, Lisa’s wedding to a British suitor (my boy Mandy Patinkin, tearing it up) and how her family disgusts this uptight Brit. We don’t go off the deep end: the family has aged realistically, with Bart doing demolition – not a hippy hanging with Ralph as we see in a third, unexplored-here future-vision episode (yes, they have a lot of those.) The episode ends sweetly, with Lisa, having realized in her vision just how much she loves her father despite all his faults, returning to the fair with him. It’s a smart, enjoyable plot that provides the usual multitude of laughs, and establishes the precedent that Maggie never, ever speaks, even if she’s old enough. It’s the template for a perfect episode: original, entertaining story with a smart setup that explores every possible one-liner; logical plot; believable ending.

“Future-Drama” is quite different. This is one of the funnier Simpsons’ episodes of late, but falls apart midway though as the writers throw anything that sticks to the screen while navigating through a lazily constructed plot; there’s no fine arc with a connecting b-plot, but rather characters – lead and supporting – run on and off the screen in a rather distracting fashion. What does work are the little, modern jokes, from the TiVO sound effects on Frink’s computer, to the opening conversation between Lisa and Bart where they debate who Bart is “gay for” (producing the classic line, spoken by the depressed subject: “No one’s gay for Hans Moleman.” The setup is clumsy though, lazily dropping (literally) our characters into Frink’s basement; “Lisa’s Wedding” had Lisa chase a Chief Wiggam-created “medieval creature” into the woods to find the fortune teller, a far more elegant segue into the main plot.

I don’t think there’s a solution to The Simpsons’ woes, and for the first time ever I would float the idea that Fox should wrap up production within several years. Newer shows like Family Guy and Aqua Teen excel in the area where The Simpsons fails – wacky, outlandish and unbelievable plots – because they were born into that format and appear as naturals in their ability to exploit it. Futurama, thanks to its thirty-first century time frame, shared their talent to delve into the strange and unpossible since, well, what do we know about what will be strange and unpossible one-thousand years from now? OFF, though, developed in an era of sincerity, a pre-Seinfeld era that pitted Bart and Company against The Cosby Show and Murder, She Wrote long before Desperate Housewives was a gleam in Mark Cherry’s eyes. Earlier scripts had to be “serious” and traditional, and though the show weaned itself from the usual and paved the way for today’s offbeat animation by stretching the boundaries of believability, it was a slow transition that could only be taken so far before the show became a completely different program. The show is at its best when wacky but grounded, something long forgotten by today’s writing staff.

It’s become a completely different program.

Central Illinois is Not Chicago

Thursday, August 11th, 2005

Originally posted March 16, 2005 – With gas prices high, high, high, trips like this won’t be too common, eh?

There’s this bumper that WGN Radio plays during Cubs’ games. Bumpers are those little snippets of music that you hear between commercials and the play-by-play; a transition between the signal and the noise, if you will. WGN selects a diverse catalog to usher us back into the game, but my favorite has to be the beginning of Coldplay’s “In My Place.” It’s so serene and laid-back, much like the baseball broadcast, and it glides you smoothly from Andy Mazer’s dry Jiffy Lube spot into the welcome arms of Wrigley Field crowd noise and Pat Hughes’ powerful descriptions, sucking you from your car into the Temple of the National Passtime that sits at the bottom of the funnel that is Central Illinois. No worries, no pressure, just a warm summer afternoon watching baseball; you can’t see the field, but you can feel the wind blowing in off of the Lake.

The wind must be coming from the corn, because that’s all you can see. Anything else out there would be blocked from view, dwarfed by the fields. It’s a Midwest cliche to be certain: flat fields of maize surround you on every side like a kid stuck in a bad horror film, running panicked from an unseen enemy, screaming out for Champaign or Peoria to save you from the horror of it all. But the fields just won’t stop. Route 66 ducks in and out of small villages, a road practiced at barely missing the silos and grain stores that welcome you to the municipality. Traveling the Mother Road,

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Gremlins ipod you lose count of the silos far before you forget the number of slashes dotting the center of the road. If ever there’s a lapse in U.S. history education, then two hundred years from now kids will glance at the state motto and believe “Lincoln” to be slang for “cornfields.”

Not that this is exclusive to the Prairie State, nor is this area the king of the endless horizon. It’s a song sung throughout most states that house Big 10 and Big 12 land grant schools, and if Illinois were to go to war with Iowa, Nebraska or Kansas over which state is the most droll and unexciting to traverse, I dare not bet one penny on my home to score a single victory. Still, the lack of significant landmarks is expected of the other areas of the Midwest, while in Illinois it all seems to be leading somewhere — or, on the opposite occasion, away from something (which is far more depressing, I assure you.) It’s as if this is not right, these never-ending fields, but that there’s something larger looming overhead, and all this around you is a stranger in someone else’s home. We’ve got something the other states of the Midwest could never imagine, a twelve-ton orange and blue elephant in the room (with his eye just barely obscured by the corn) that no one dares take his or her eyes off of.

We have Chicago.

It’s around Joliet that the dichotomy of Illinois begins to be revealed. Traveling north out of St. Louis, the metropolitan area stops rather suddenly, ending just twenty miles northeast of the Arch, around Troy. Until you reach the split of Interstates 55 and 70, it’s billboard after billboard, Hustler Club here, Laura Buick there, and eighty Cracker Barrels and Stake ‘n Shakes (bean crock) on the side of the road to reassure you that civilization is still all around. Then, I-70 heads east towards Effingham, and WHAM – it’s back to the damned fields. A half-hour prior, you ask yourself, weren’t you cruising past the headquarters of Anheuser-Busch, past not one but TWO Busch Stadiums, and past a giant, six hundred and thirty foot arch? Now, it’s back to corn? That fast?

This does not speak well of the St. Louis area, at least on the Illinois side of the Mighty Miss.

I-55 curves northeast, joining with Route 66 as they angle towards The Destination. From here on in Illinois there is only One Destination, with only minor distractions. Roads are funny things like that, particularly interstates, as they act like travel agents and annoying Orbitz pop-up ads, reminding you that, perhaps, your desired place of arrival isn’t the bee’s knees as much as you want everyone to think. A day in Springfield at the Old Capital, rubbing noses at Lincoln’s Tomb, and general Walking Where He Walked is fab if you’re into that kind of stuff, but there’s that damned big green sign hanging over the highway reminding you that if you keep going you’ll end up in CHICAGO. It’s just three more hours! Who wants to see Adlai Stevenson’s grave in Bloomington? That fool lost two straight elections to a silly little soldier, and besides, it’s not CHICAGO. It’s just two more hours!

Those smaller, minor distractions — your run of the mill state capitals, Universities of Urbana-Champaigns and Peoria, where everything is test-played — they betray themselves as the second-rate, bush league, wanna-be attractions they are by making no effort to mask their location. Travel ten minutes – nay, five – outside the city limits of any of these grand municipalities and you find yourself once again consumed by the cornfields of giant magnitude. You thought you escaped. No. These cities are but an oasis in the corn, with the draw of something greater hanging over them, reminding them that they are but cute, if rather pointless, diversions from The Destination. Assembly Hall is a sight to behold but it’s not CHICAGO. It’s just one more hour!

I pause here, reader, to plead my case. You may think I exaggerate. I exaggerate not. Large over Central Illinois looms the shadow of The Destination, because why would anyone not want to partake in it? It is one thing to sit in Mound City, five hours south and in a completely different state – one obsessed with showing – and realize that to head north would take the better part of an afternoon, and leave little time for play, much more the return trip. As you move closer, though, the draw is irresistible, and you find yourself consumed with the idea. First it dances innocently across your mind. What of an afternoon trip to Michigan Avenue? It seems hardly doable until that big green sign reminds you that you’re just ninety minutes from CHICAGO, and all of a sudden you find yourself on the second floor of the Apple Store wondering how in Illinois you ended up here.

But I digress far, far — back to Joliet. It’s one of the final stop on the Illinois 1917 State Bond Issue Route 4 Tour (also making appearances in Edwardsville, Litchfield, Springfield, Lincoln, Bloomington and Pontiac) and it STINKS. Or at least the west side – they have little rap but much oil, as refineries a’plenty dot the roadsides. Jake and Elwood drove through here, and now you do to, and emerge on the north side waiting for the corn to return but it does NOT. Every field you saw before is replaced with industry, six billboards, and an Italian restaurant named after an obviously portly fellow. This continues for, oh, twenty miles until you realize suddenly with a jolt to your brain and mind that

YOU ARE THERE. Or, now, HERE.

CHICAGO.

Like her fellow tour stops, Joliet does not begin slowly but with a BANG as you move from fields and two-lane highways to three lanes and buildings and construction and BOOM you’re in the city and then BOOM you’re not. No gradual build, just corn then city then corn. You’re driving north on I-55, with Route 66 off to the east, taking a holiday on state route 53, and you curve north. A few miles later it’s bridge, I-80, mall, and all of a sudden you realize that you’re at one of those oases again, a brief respite from the corn. The fields don’t begin again, though, and it’s jarring as the city landscapes just continue until you swear you can see the Sears Tower and John Hancock buildings towering in the distance, and you realize oh yeah THAT’S what that shadow was that hovered over me as I snacked at the Cozy Dog in Springfield.

You feel the shadow in you as you drive through Central Illinois, even if you manage to avoid The Destination. It helps to listen to Radio 720 WGN – they don’t much like those national syndicated programs, nope. Cubs Baseball is the biggest culprit, drawing you not only to CHICAGO but also to 1060 West Addison in a fruitless search for tickets. Instead, you let the announcers manipulate you, drawing up that yearning to head north and partake in everything Second City, even if you’re only shuttling between Springfield and Decatur.

It’s just two-and-half more hours!

Heading south is depressing, as you watch the shadow grow dimmer and dimmer as you go along. The scenery changes little: corn here, other fields there, a stray U.S. highway on the left and the 1987 state champs of somethingorother on the right. It’s all very nice and homey, and you could live here, even if IGA has to stand in for Jewel or Schnucks. You’re just passing through, though, and the map you glance over while standing in line to pay for your fuel-up grabs your eyes and darts them in its own cruel directions. Up 51, over 74, up 57 – boom. There. You’re heading the opposite way, though, and it stings your heart. You didn’t make it There and you can’t believe you passed up the opportunity. Or perhaps you did, and it hurts more; the memory of There is fresh in your mind, and as you glance around this meager gas station on a slowly traveled street corner in a Central Illinois town, you notice how sunny it is outside the windows, and you realize that you can no longer see the shadow.

I have done a great disservice to Central Illinois here. There are great cities and much to see, and if I could live my life in Central Illinois I would most likely die a happy man. Some of that, though, would come from the fact that It’s just two more hours! Some would also come, I must confess, from the fact that traveling through the Land of Lincoln on a sunny weekday afternoon, WGN fading commercials into serene Coldplay bumpers, is a pretty good substitute for There.

Peter is not a resident of Central Illinois, because he lives south of Staunton. Therefore, he can’t see a shadow, and predicts six more weeks of Spring Training. Peter did, however, go to Bloomington a fortnight before he wrote this, but not Chicago, and the pain lingers still.

Still Useless After All These Builds

Tuesday, August 9th, 2005

So I installed the IE 7 Beta.

I don’t use Internet Explorer for anything more than Windows Updates, since Firefox is your god and mine. I’d toyed with Opera and other “alternative” browsers for months before Firefox hit the scene, and with its lack of security holes, tabbed browsing and easy integrated search bar, I finally had my replacement for IE.

Still, no web designer worth his salt in salt doesn’t test in IE. This would be a crime. So there in my quick launch bar sits IE, present but unused.

The Ruins move Certainly with IE 7 in beta I would want to play around with it. So I downloaded it. It’s cute, a tad better looking than its predecessor, even if the tabbed browsing is ungainly, not nearly as integrated as well as in Firefox. All in all, a nice replacement for IE 6, but hardly anything that could steer me away from Firefox and its legion of extensions.

Then I started up Trillian, my instant messaging client that supports AIM, MSN and Yahoo! It loaded, then crashed, a victim of a changed .dll file that supports IE’s connection to MSN. It seems you can’t run Trillian on the same system as IE 7.

Sacrifice full movie So I uninstalled the IE 7 Beta.